Gigantic
Gigantic, as the name suggests, should be set large. The type is spaced "tight-not-touching" so you really don't want to go under 72 points. The font is intended to be…
Gigantic, as the name suggests, should be set large. The type is spaced "tight-not-touching" so you really don't want to go under 72 points. The font is intended to be…
Eroika Slab is a robust, display serif, intended to be set large. While for most serifs, display means high contrast, Eroika's "displayness" stems from its wide stance, tight spacing, equal…
Equip Slab, a new hardline, serif dominated face designed on the same geometric base as the rest of the Equip family. With its clarity it appears strong, imperative and straight…
Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy…
“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically…
Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it…
Alight Slab is, wait for it... A light slab! Designed to be set large, in headlines or subheads and (very) short paragraphs of running text. It has slightly super-eliptical forms…
“Hey, look at me!” cried the new advertising typefaces. With the nineteenth century and the industrial revolution came an esthetic revolution in type design. Brash, loud, fat display faces elbowed…
Based on a 19th century Toscanienne typeface, Planchette has two hand ornaments accessible by the < and > keys.