Arno
Named after the Florentine river which runs through the heart of the Italian Renaissance, Arno draws on the warmth and readability of early humanist typefaces of the 15th and 16th…
Trajan
While designing Trajan, Carol Twombly was influenced by the style of carved letters produced by the Romans during the first century AD. Twombly completed the design, adding numerals and punctuation,…
Garamond Premier
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo…
Chaparral
Chaparral is the work of type designer Carol Twombly and combines the legibility of slab serif designs popularized in the 19th century with the grace of 16th century roman book…
Adobe Caslon
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch…
Caflisch Script
Caflisch Script was designed by Robert Slimbach in 1993. The design is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a…
Myriad
An Adobe Originals design first released in 1992, Myriad has become popular for both text and display composition. As an OpenType release, Myriad Pro expands this sans serif family to…
Minion
In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts…
Adobe Jenson
Adobe Jenson Pro captures the essence of Nicolas Jenson's roman and Ludovico degli Arrighi's italic typeface designs. The combined strength and beauty of these two icons of Renaissance type result…
Adobe Bengali
The Adobe Bengali typeface was designed by Neelakash Kshetrimayum, with Bengali script expert Fiona Ross consulting on the design. This type family was designed to harmonize with Adobe?s other Brahmic…