Cooper BT
Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.
Davida
A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.
Della Robbia
Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.
Drawboard BT
Drawn by Italian graphic designer Nicola Serradimigni, Drawboard is a fun, freeform display typeface. Serradimigni based each character on a rectangle and kept the use of curved shapes and diagonals…
Eroxion BT
Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at…
EuroMachina BT
The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that…
Eyeballs
Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was…
Fat Albert BT
Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of…
Franklin Gothic
Produced by ATF in 1904, Morris Fuller Benton’s personal version of the heavy sanserifs first made popular by Vincent Figgins in 1830. Franklin Gothic remains popular after over a hundred…
Freeform 721
Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. Bitstream’s Freeform 721 with his brush stroke look, is well-suited…
- Go to the previous page
- 1
- …
- 752
- 753
- 754
- 755
- 756
- 757
- 758
- …
- 769
- Go to the next page