Bernhard Bold Condensed
A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.
A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.
This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The…
Bernhard Modern was designed in 1937 by Lucian Bernhard for ATF. It is his personal version of the small x-height engravers’ old styles popular at the time. A perennial best-seller,…
This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms…
Morris Fuller Benton started the Bodoni revival with this version for ATF in the early years of the 20th century. We consider it the first accurate revival of a historical…
Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.
In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and…
A small x-height typeface, originating with engravers near the start of the twentieth century, appearing in type in the 1923 ATF specimen.
Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.