Bellucci
Bellucci is the redesign of Ramiro Espinoza's first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is…
Tomate
Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a…
Allegro
A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.
Ambule BT
Huxley Vertical meets Peignot in this stylized cap/lowercase hybrid design called Ambule. French designer Julien Janiszewski has created a clean, straightforward design that is strikingly effective in both text and…
Americana
An original design by Richard Isbell for ATF; in exaggerating the tapered stroke introduced eleven years earlier in Hermann Zapf’s Optima, Isbell created the first flareserif to achieve popularity in…
Aphasia BT
A meeting of Byzantine and Art Deco forms, Aphasia began as a series of handwritten captions to accompany drawings in the early 1990s. The drawings were abandoned to allow the…
Aurora
One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.
Bank Gothic
A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same…
Belwe
Designed by George Belwe for Schelter & Giesecke in Dresden, Belwe is one of the first typefaces to show the elements of the style we have classified as Kuenstler. Deliberately…
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