Old Dreadful No. 7
Old Dreadful No. 7 is truly a unique typeface design. Bitstream’s designers and other employees all contributed individual letterforms to the character set. This typeface is definitely not recommended for…
Onyx
Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.
P.T. Barnum
One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of…
Persia BT
Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in…
Picayune Intelligence BT
The unusual name for this Deco style typeface comes from the playful and pun-laden 1960s Rocky & Bullwinkle TV show. It is the name of the newspaper in the mythical…
Playbill
Robert Harling’s 1938 revival of this nineteenth century form, designed for Stephenson Blake.
Poster Bodoni
A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.
PuffiClaude BT
PuffiClaude by Matt Desmond is a real piece of work. Great for funky display stuff, its got some jive junk hanging around every character. This OpenType font has many goodies…
Raleigh
Following the death of Carl Dair, David Anderson redrew Dair’s design, Cartier, for Typsettra, where it was renamed Raleigh. Adrian Williams at Fonts added three weights as a display series…
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