Cambridge Pinstripe NF
A strong geometric font of lowercase letter only, with the look and feel of Jazz-age neon. Both versions of the font include the 1252 Latin and 1250 CE character sets…
A strong geometric font of lowercase letter only, with the look and feel of Jazz-age neon. Both versions of the font include the 1252 Latin and 1250 CE character sets…
A wooden face, rather prosaically named Gothic Bold, from Hamilton's 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European…
Lettering on a 1928 poster for the Delftsh Studenten Corp provided the inspiration for this campy—and camp-like—typeface. Use it anytime you want to capture a nostalgic, outdoorsy vibe. Both versions…
A new series of eclectic decorative initials, Capital Ideas 1 NF features numbers and uppercase letters rendered in nixietube displays, along with a whimsical walk through the alphabet patterned after…
This no-nonsense titling face is based on a Morris Fuller Benton 1934 offering for American Type Founders called, simply, Poster Gothic. Its crisp, clean lines and subtle Art Deco modeling…
Ross F. George, the lettering wizard behind many an edition of Speedball lettering books, called this quirky creation "Spatter and Spot Roman". In this version, the spatters go, but the…
This quintessential nineteenth-century offering is based on a typeface from the 1912 American Type Founders catalog called Lining Central Antique. Quaint, yet crisp and clean, it is equally suitable for…
An offering from Barnhart Brothers & Spindler’s Catalog No. 9 from 1907, with the rather prosaic name of "Lining Gothic No. 71", inspired this non-nonsense and surprisingly ageless face. As…
The name comes from a British expression about two things that couldn't be more different, and it suits this offering to a tee. The uppercase of this typeface is based…
This little charmer combines an uppercase designed by American lettering artist J. M. Bergling with a lowercase designed by English architect Roland W. Paul. The result has a wiggle in…