Boop Boop NF
Here’s another wild and wacky typeface based on handlettering found on Hallmark Studio Cards of the 1950s. All possible letter combinations have been kerned, so you can mix and match…
Here’s another wild and wacky typeface based on handlettering found on Hallmark Studio Cards of the 1950s. All possible letter combinations have been kerned, so you can mix and match…
Here's an unusual take on the classic Tuscan face of the 1880s. The unusual finials lend a slightly spooky feel to the face, hence its current name. Both versions support…
This bold, bodacious blackletter typeface is based on an offering from the 1832 Boston Type Foundry catalog. Although it generally appears to be a sober Old English font, there are…
This engaging slab serif face made its debut in the 1906 ATF specimen catalog, and wears well over a century later. Its warm lines and a wide stance ensure that…
This font features the seldom-seen alternate characters for Blockschrift, one of the pioneering Swiss-style grotesks, released by the Genzsch & Heyse foundry of Hamburg in 1897. Both flavors of this…
Based on a typeface originally called "Seven Flare", this offering has a warm, slightly naive grace and a casual nostalgic charm. In addition, kerning has been applied to all possible…
This growing family of friendly faces is based on the typeface Bravour, designed in 1913 by Martin Jacoby-Boy for the D. Stempel AG foundry in Frankfurt am Main. The wide…
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Brazos is an ultrabold, ultrawide sans-serif face that takes up a lot of…
Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large…
This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the…