Caslon1821
Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France…
Arsena
The font Arsena was designed for a contest on the creation of modern Ukrainian business font "Arsenal" and awarded the 3rd prize. A little squared figure which is enlightened from…
Surf Serif Pro
Surf Serif is the font that retains some features and proportions of the old-style antiqua, but is adapted for modern conditions, mainly screen ones. Its uncompromising hard lines and corners…
2 Quadro
This big family summarizes and develops the tradition of boldface squared-off 45° shear sanserifs. Known from the middle of 19th century and actively used in different times (1920s, 1970s) is…
Kyiv
The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of "semi-italics" renewed, compact weights are…
Dnipro
Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s.…
Bethencourt
Bethencourt is a font family designed by Vsevolod Buravchenko & Viktor Kharyk with technical support by Konstantin Golovchenko. It is based on uncial, half-uncial, Old Roman Cursive and New Roman Cursive.…
Homenko
Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967.…
1812
'1812' type family is a revival and further development of the typeface '1812' by Lehmann Type Foundry (St. Petersburg). It was created for the centenary of the French invasion of…
Florentin 2D
Angular Old Style by Viktor Kharyk is usable as display font, for non-formal texts, especially poetry, for children books and virtual games about adventures, history, and pirates and includes some…