Caslon1821
Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France…
Arsena
The font Arsena was designed for a contest on the creation of modern Ukrainian business font "Arsenal" and awarded the 3rd prize. A little squared figure which is enlightened from…
Surf Serif Pro
Surf Serif is the font that retains some features and proportions of the old-style antiqua, but is adapted for modern conditions, mainly screen ones. Its uncompromising hard lines and corners…
2 Quadro
This big family summarizes and develops the tradition of boldface squared-off 45° shear sanserifs. Known from the middle of 19th century and actively used in different times (1920s, 1970s) is…
Kyiv
The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of "semi-italics" renewed, compact weights are…
Dnipro
Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s.…
Bethencourt
Bethencourt is a font family designed by Vsevolod Buravchenko & Viktor Kharyk with technical support by Konstantin Golovchenko. It is based on uncial, half-uncial, Old Roman Cursive and New Roman Cursive.…
Homenko
Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967.…
1812
'1812' type family is a revival and further development of the typeface '1812' by Lehmann Type Foundry (St. Petersburg). It was created for the centenary of the French invasion of…