Tiresias
Tiresias was designed for subtitling by Dr. John Gill from the Royal National Institute for the Blind (RNIB), in the United Kingdom. The Tiresias font is designed to have characters…
Albertus
Berthold Wolpe’s innovative design undertaken for Monotype in 1932 suggests the texture of letters cut in wood. Albertus can be seen as Morison’s improvement of Othello, Monotype’s 1928 copy of…
Ambiguity
Ambiguity is a type family with five distinct personalities or ‘states’, created as a tool for coaxing designers and brands out of their comfort zone. It embraces both tradition and…
Biome
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and…
Burlingame
The Burlingame™ typeface family from Carl Crossgrove is a sturdy typeface with open, clear shapes that offer high legibility, even in constrained digital settings, or in challenging print environments such…
Carnero
Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape…
Cavolini
The Cavolini™ typeface family, by Carl Crossgrove, is unique to handwriting fonts. It is a family of several designs, and it was developed for imaging on small screens. While drawn…
Dante eText
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically…
Daytona
The Daytona™ typeface family grew out of a desire to provide improved fonts for use in televised sporting events. Jim Wasco drew the design as sturdy squared letters based on…
DIN Next Shapes
Sabina Chipară's DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers…