Baskerville
John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John…
Baskerville No. 2
This redesign is made from proofs, rather than the metal, and so is heavier, with particular attention to the Harris and the Monotype revision, which was made from proofs of…
Bauer Bodoni
Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most…
Bell Centennial
Bell Centennial font was created by Matthew Carter in 1976 for the American telephone company Bell. Its bold, clear characters make it an extremely legible and distinctive font.
Bookman
Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.
Brush Script
Brush Script was designed in 1942 by Robert E. Smith for American Type Founders. It has a spontaneous, brush-written look, and the lowercase letters are connected as in handwriting. Brush…
Candida
German designer Erbar drew the Candida typeface for the Ludwig & Mayer foundry shortly before his death in 1935. The typeface was released posthumously in 1936. An italic designed by…
Century Expanded
Shortly after the preparation of the original Century, the two Bentons (father Linn Boyd and son Morris Fuller) prepared a wider version for De Vinne’s press and called it Century…
Century Oldstyle
Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.
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