New Lincoln Gothic BT
New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke…
New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke…
Bitstream’s Oranda was designed by the noted Dutch designer Gerard Unger as a custom project for the European printer manufacturer, Océ, in 1986.
Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give…
The monospace companion to Jim Lyles’ Prima Sans, designed by colleague Sue Zafarana at Bitstream.
Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give…
Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.
Working for Bauer in the thirties, F.H.E. Schneidler followed Weiss’ lead to provide an alternative. In 1956 he added the companion italic under the name Amalthea.
Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger…
Morris Fuller Benton’s 1931 design, reworking the model of Memphis for ATF.
Swiss 721™ is a sans serif family that ranges in style from thin to black while mixing in a few unexpected, but beautifully made and ironically flattering, outline weights that…