Charter BT
Bitstream Charter was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs…
Cheltenham
Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller…
Chervonec Uzkj BT
Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.
Chianti BT
Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high…
Clarendon
The new Clarendon BT Pro typeface family features 450 glyphs in each font with expanded support for Central and Eastern European languages, and enhanced OpenType features including ligatures, diagonal fractions,…
Cloister Open Face
Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.
Cooper BT
Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.
Copperplate Gothic
The classical nineteenth century engravers’ form, with corners sharpened with a flick of the burin. F.W. Goudy captured the design as a typographic series for ATF in 1901.
Courier 10 Pitch
Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.