Embassy
The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end…
Engravers’ Gothic
Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.
Engravers’ Old English BT
Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.
Engravers’ Roman BT
A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.
Eroxion BT
Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at…
EuroMachina BT
The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that…
Eyeballs
Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was…
Fat Albert BT
Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of…
Fleischman BT Pro
Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he…
Flemish Script
An ornate roundhand with looped ascenders and strongly flourished capitals prepared at Photon for their phototypesetters about 1960.