Engravers’ Roman BT
A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.
Eroxion BT
Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at…
EuroMachina BT
The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that…
Eyeballs
Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was…
Fat Albert BT
Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of…
Fleischman BT Pro
Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he…
Flemish Script
An ornate roundhand with looped ascenders and strongly flourished capitals prepared at Photon for their phototypesetters about 1960.
Folio
Designed by Konrad Bauer and Walter Baum in 1956, Folio was the first popular Swiss Sanserif; the positive black shapes of the letters appear to be locked inevitably into the…
Fraktur
The standard German Fraktur textface of the last century, principally used today for mathematical setting.
Frank Ruehl BT
Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael…