De Vinne
This revival of the Bruce Foundry’s No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the face remains popular with lawyers and…
Della Robbia
Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.
Dom Diagonal
The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.
Drawboard BT
Drawn by Italian graphic designer Nicola Serradimigni, Drawboard is a fun, freeform display typeface. Serradimigni based each character on a rectangle and kept the use of curved shapes and diagonals…
Drescher Grotesk BT
Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for…
Ecliptica BT
Ecliptica is an extended family of five very condensed typefaces in a single bold weight. The creation of Australian designer Robert Bell. Ecliptica has a Sans, a Semi-Serif, a Serif…
Egyptian 505
This face was designed by Andre Guertler’s class in room 505 at the Kuenstgewerbeschule in Basel. It follows the principles of Frutiger’s Egyptienne, and won the first of the VGC…
Embassy
The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end…
Engravers’ Gothic
Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.
Engravers’ Old English BT
Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.