Krul
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars…
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars…
In 2014 Paula Mastrangelo presented her first type family, Laski Slab. Over the last year, Ramiro Espinoza worked to expand the system and the outcome was Laski Sans, a refined…
"Laski Slab is a comprehensive suite of 20 fonts conceived for editorial purposes. The type family was designed by Paula Mastrangelo, an Art Director with extensive experience in editorial design…
Lavigne is a type family that is aimed at publications such as interior design and women’s magazines—anywhere a touch of distinction is desired. In the opinion of its designer, glossy…
Beautiful is Ramiro Espinoza’s homage to 19th Century Catalonian pointed pen calligraphy. The starting-off point in the creation of the typeface was an analysis of the historical models of formal…
Originally published by OurType, Dan Milne’s Tasman has found a new home at Retype. Milne first conceived Tasman as a typeface for newspapers. This influenced the proportions and look of…
Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a…
Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’. While conceiving Winco, Ramiro…
A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.