DIN Next
DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and…
DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and…
The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute's standard no. DIN 1451, published…
Now even more design possibilities with the popular DIN Next. With its technical and neutral character, DIN Next has earned a permanent place in contemporary typography. Now, DIN Next Slab…
The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects…
Gudrun Zapf von Hesse designed Diotima for D. Stempel AG. The roman was released in 1951, and the companion italic in 1953. As with many of her faces, Diotima has…
Diskus is a “ribbon” script, similar to Coronet, but less formal. It was designed by Martin Wilke and first released by D. Stempel AG in 1955. Simple forms and classic…
Diverda Sans is a geometric family of typefaces that are all free from ornament. Swiss designer Daniel Lanz optimized Diverda Sans for maximum legibility. In contrast to many other modern…
Designed by Gottfried Pott in 1990 for Linotype’s Type Before Gutenberg series, Duc de Berry is a revival of one style of the blackletter hand known as “bastarda.” Bastarda letters…
A flowing Art Nouveau typeface with a strong flavor of Fraktur, designed by Otto Eckmann.
Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font…