Apollo
Apollo is oddly one of the lesser known typefaces of Frutiger, perhaps due to the extreme fame of some of his other works, like the typefaces Frutiger® and Univers®. Stylistically,…
Applied Sans
The Applied Sans™ family is a reinterpretation of the first sans serif typefaces used in what was then called, “jobbing or trade” work – typefaces like Venus and Ideal Grotesk.…
Arial
Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM® laser…
Ariata
Ariata™, from Malou Verlomme, is three typefaces in one. Like phases of the moon, they gracefully meld from one to the other. The “Text” weights are sturdy designs that perform…
Ashley Script
Ashley Script is a typeface developed by the British designer Ashley Havinden in 1955 for Monotype Corporation. Ashley Script is a brush script and is based on Havinden's own handwriting.
Bayamo
Emil Bertell's Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia…
Beefcakes
Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates "big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes…
Bell
Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes…
Between
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable.…
Biome
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and…
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