Vala
Vala™ dances across printed pages and shines on screen. This is a high-energy design that blends the grace of an English Roundhand script with the gravitas of an extra bold…
Veto Sans
Veto® Sans is both highly legible and handsomely distinctive – a rare blend in a typeface. It’s a design that stands out and fits in. Veto Sans is equally competent…
Walbaum
First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved – despite its easy elegance, and sophisticated persona. It’s been fully restored for this expansive…
Wola
Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it…
Wolfsblood
Wolfsblood is a new display face by Jim Ford, adapted from hand-lettered logos spawned by punk rock bands like The Misfits and Bad Brains. The style can be traced back…
Wolpe Fanfare
“Fanfare is such a fun typeface,” says Toshi Omagari, who revived the design for The Wolpe Collection. “It was my happiest discovery when I was digging through the Monotype archive.…
Wolpe Pegasus
Wolpe Pegasus™ is full of surprises. Some characters have oversized serifs, others have very different weights, and some even look inconsistent with the other characters in the set. “This is…
Wolpe Tempest
“It looks like it could have been designed last year,” says Toshi Omagari, the lead designer for The Wolpe Collection, about the original Tempest typeface. For Wolpe Tempest™, Omagari drew…
Zeitgeist
With Zeitgeist, designer Michael Johnson explored the limitations of early digital technology: the letters are built up in the style of low resolution bitmaps. The design was completely carried out…
Zemestro
Zemestro from 2003 was one of the first of the new “squarish sans-serifs”. Its designer David Farey says: “There’s nothing calligraphic about it, and there are no defining or identifiable…
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