Neue Kabel
Marc Schütz, a type design teacher at the University for Art and Design Offenbach, took on the challenge of updating and re-imaging the original Kabel® typeface design. His goal was…
Marc Schütz, a type design teacher at the University for Art and Design Offenbach, took on the challenge of updating and re-imaging the original Kabel® typeface design. His goal was…
Neuland is based on the handwriting of Rudolf Koch (as are all of his typefaces). Its simplicity and unusual shapes derive from the difficult and demanding art of punchcutting. In…
The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio…
The original designs were drawn by C.W. Pischiner for the Stempel foundry in 1928; this book version was added by the Linotype Corporation in 1959. Neuzeit S is a geometric-grotesque…
Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot.…
The Danish designer Nina Lee Storm designed Noa for use on television and computer screens during the late 1990s. She began her six-member type family with the creation of bitmap…
Drawn by master German calligrapher Hermann Zapf in the 1970s, Noris Script captures the magic of the irregularities of pen strokes. The idea behind Noris Script was to bring the…
Designed in 1992 by Karlgeorg Hoefer, Notre Dame is part of the Linotype Type Before Gutenberg series. Notre Dame is a textura blackletter, a common bookhand style from the fourteenth…
Linotype Nowe Ateny is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Dariusz Nowak-Nova, Nowe…
OCR-A was originally designed in 1968 as a machine-readable alphabet. Its functionality was its most important element, instead of its design. Over the following decades, the typeface has become popular…