Memphis
Egyptian, or slab serif, typefaces surged to popularity in the early 1800s. Memphis was the first Egyptian revival, designed by Dr. Rudolf Wolf in 1929 for the Stempel foundry. The…
Memphis Cyrillic
Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited…
Mengelt Basel Antiqua
Inspired by the excellent serif fonts of the Basel printer of the 15th and 16 Century, Christian Mengelt designed the Mengelt Basel Antiqua. The typeface is a Renaissance Antiqua with…
Meridien
Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been…
Merlin
Linotype Merlin is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. This font was designed by Anne…
Metro Nova
Metro Nova comprises seven weights, from ultra thin to extra black in regular proportions, and six weights as condensed designs. Each has an italic counterpart for a total of 26…
Metro Office
The Metro Office family is designed after the model of the original sans serif family – Metro No.1 – produced by W.A. Dwiggins and Mergenthaler Linotype’s design studio during the…
Metrolite #2
In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had…
Metropolitaines
This art nouveau style typeface is the one that had been used for the signage of the historic Paris metro stations.
Midan
Midan, designed in 2005 by Kameel Hawa, director of Almohtaraf Assaudi, is a modern Arabic typeface based on simplified Naskh with a slightly modulated stroke treatment. It is suited for…
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