Artemis JY font

Artemis JY

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Mark Geard’s Artemis is a contemporary humanist sans serif. Its flourishes and unusual cuts give the typefaces huge distinctiveness—yet they remain highly legible. Glyphs begin with something that resembles a…

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Boomerang JY font

Boomerang JY

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Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles)…

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Circles JY font

Circles JY

Based on electrical circuitry, David Philpott's Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated…

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Dandy JY font

Dandy JY

Danielle Smith describes her friendly, hand-drawn typeface family, available in roman and italic, as ‘non-élitist and accessible’. Originally created for a theatre project at Massey University, Dandy is reminiscent of…

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Decennie Express JY Pro font Decennie JY Pro font

Decennie JY Pro

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JY Décennie has been designed for both the web and print. Essentially applying the principles of newspaper typefaces, attention has been paid to the Windows versions of the family to…

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Flax JY font

Flax JY

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David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the…

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Integrity JY Pro font

Integrity JY Pro

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Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available…

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JY Shapa font

JY Shapa

Designed by Jure Stojan, JY Shapa—his first serif family for JY&A Fonts—has a wide-pen, calligraphic feel, with the upper half of the letters reasonably conservative to aid recognition, but the…

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