ITC Tiepolo
Tiepolo was designed at AlphaOmega Typography for the International Typeface Corporation in 1987. Described by the design team of Cynthia Hollandsworth and Arthur Baker as a sans serif with serifs,…
Tiepolo was designed at AlphaOmega Typography for the International Typeface Corporation in 1987. Described by the design team of Cynthia Hollandsworth and Arthur Baker as a sans serif with serifs,…
ITC Symbol was designed by Aldo Novarese for the International Typeface Corporation in 1984. The family includes four weights plus matching italics in a design that combines the structure of…
In 1987, Sumner Stone completed his designs for the Stone type family. ITC Stone solves the problem of mixing different styles of type on the same page. Most combined type…
ITC Esprit was designed by calligrapher and type designer Jovica Veljovic for the International Typeface Corporation in 1985. ITC Esprit is an innovative blend of classical Roman proportions and calligraphic…
In 1987, Sumner Stone completed his designs for the Stone type family. ITC Stone solves the problem of mixing different styles of type on the same page. Most combined type…
ITC Eras was designed in 1976 by Albert Boton and Albert Hollenstein. The design incorporates highly readable shapes, a slight tilt, and a large x-height, resulting in a unique and…
In 1987, Sumner Stone completed his designs for the Stone type family. ITC Stone solves the problem of mixing different styles of type on the same page. Most combined type…
In 1972, Herb Lubalin and Tony DeSpigna designed this typeface for the International Typeface Corporation. ITC Serif Gothic combines the readability of serif (roman) faces with the simplicity of a…
ITC Quorum was designed by Ray Baker in 1977. The character shapes are essentially oval, with the design falling somewhere between serif and sans; the basic character structure is sans…
ITC Ozwald joins its close relative Cooper Black in the family of heavy display faces. ITC Ozwald comes from the lineage known as “Fat Face” types, but informal, curvaceous, and…