ITC Officina Serif
ITC Officina Serif is definitely a typeface for the 1990s, made for the contemporary office. Designer Erik Spiekermann is aware that not all type is read from crisp book or…
ITC Officina Serif is definitely a typeface for the 1990s, made for the contemporary office. Designer Erik Spiekermann is aware that not all type is read from crisp book or…
To best extend the range of the ITC Officina family, Erik Spiekermann and his team at MetaDesign added a sans serif companion face in two weights. ITC Officina Sans (along…
Aldo Novarese designed this typeface for Switzerland’s Haas foundry, and the International Typeface Corporation licensed it in 1980. Novarese is an interesting blend of old and new. In this case,…
ITC Motter Corpus was designed in 1994 by Austrian Othmar Motter, who is an award-winning designer of logos, posters, trademarks and many corporate identity programs. Motter Corpus is an extra…
ITC Mona Lisa, designed in 1991, is an interpretation of Albert Auspurg’s 1930 design for the German Ludwig & Mayer foundry. ITC Mona Lisa is in the family tree of…
José Mendoza began working with type in the early 1950s when he was an assistant to the innovative French graphic and type designer Roger Excoffon. ITC Mendoza Roman, designed in…
Some of the most popular typefaces in history are those based on the types of the sixteenth-century printer, publisher, and type designer Claude Garamond, whose sixteenth-century types were modeled on…
ITC Machine was released in 1970. It is a geometric display face ideal for packaging, T-shirts, or advertising, or for industrial applications like signage and newsletter headlines.
Ronald Arnholm began work on ITC Legacy in 1982. Released in 1993, ITC Legacy is a revival of Nicolas Jensen’s types as seen in the 1470 Eusebius. Jensen’s beautiful types…
Designed in 1992 by Ronald Arnholm as a companion to ITC Legacy, this type has easy-to-read character shapes and comfortable proportions that make it very legible for a sans serif…