Sybarite
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor.…
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor.…
Recovery brings history to bear when the blackest type is called for. Charles Coiner’s identity for the depression-era National Recovery Administration included an alphabet of heavy art deco forms distilled…
Lorimer No 2 is a sans family designed for display settings. Narrow letters, tight spacing, and a low x-height make Lorimer No. 2 better suited to display settings than fonts…
Lorimer No 2 is a sans family designed for display settings. Narrow letters, tight spacing, and a low x-height make Lorimer No. 2 better suited to display settings than fonts…
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design…
Gigalypse is a one-weight workhorse. As a square sans Gigalypse can look smart, serious, and even futuristic. Round corners and curved sides add warmth and humor tempered by sophisticated geometry.…
Black Monday is based on the classic font Eagle Bold. Three sets of uniquely eroded letters automatically cycle to create a worn vintage look.
The Becker Gothics pay homage to the nineteenth century American lettering master George Becker. Designer James Puckett has given new life to the ingenious gothic alphabets found in Becker’s 1854…
Sturdy and humane, Armitage renders type with vintage American warmth. Even with a subtle sparkle, Armitage stays humble to let words work. Rather than build on recent trends, Armitage starts…