Zentenar Initialen
Zentenar Initialen is based on the initials designed by Prof. F. H. E. Schneidler, c. 1937, for his Zentenar-Fraktur types. Alternative letters are contained in the AR font. Aa Bb…
Zentenar Initialen is based on the initials designed by Prof. F. H. E. Schneidler, c. 1937, for his Zentenar-Fraktur types. Alternative letters are contained in the AR font. Aa Bb…
Rosart is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak & Johannes Enschedé in 1759 (Enschedé no. 811). When the AR type…
Old Face Open (Fry’s Shaded) is a decorative Baskerville which was probably cut by Isaac Moore for Dr Fry ca 1788; a revival was issued in eight sizes by Stephenson…
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
Gravur-AR is a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960.
Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows…
Forum I AR is derived from the Forum I type designed by Prof. Georg Trump and issued by C. E. Weber in 1948.
Fry’s Ornamented is a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796. Stephenson, Blake & Co. acquired the type in 1905,…
Bravo-AR is based upon a 16-pt type designed by E. A. Neukomm and released in 1945 by the Haas foundry of Münchenstein, Switzerland. in 1948.