Maria-Ballé-Initials
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.
The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84…
Raffia is derived from the Raffia initials designed by Henk Krijger and issued by the Typefoundry Amsterdam in 1952. Nine ornamental dashes based on designs by Crous-Vidal and issued by…
C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.
Forum II is transcribed from the Forum II initials designed by Prof. Georg Trump and issued by C. E. Weber in 1952.
Transcribed from letters designed by Jan van Krimpen for The Curwen Press at Plaistow, London, in 1925; printed on pages 49, 51 & 53 of A Specimen Book of Types…
Ornaments 6 are based on designs for the Curwen Press by Edward Bawden and Percy Smith.
Ornaments 3 contains ornaments based on designs by Bernard Naudin for Deberny et Peignot, c. 1924; and ornaments based on designs by Oldrich Menhart, Karel Svolinsky and Jaroslav Slab for…
Ornaments 2 contains designs for the Fanfare Press by Berthold Wolpe, 1939; and for the Kynoch Press by Tirzah Garwood, c. 1927.