Differentura
This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even…
This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even…
FunCity is a family of typefaces designed for multi-layered use. There are six levels of letter thickness from thin to extremely bold and all styles of the family represent basically…
This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font…
This font was designed for an identity project, but wasn't used, so now it's for sale. The idea was to develop something similar to Engraver's Gothic, but with a more…
Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and…
Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).