Max Kisman

The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands.…

The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands.…

Borrowed vernacular from African hair studio signs. manually drawn with drop shadow. Used first as cover and label lettering of a cd with music from Zimbabwe, and completed later as…

Designed inspired by video technology and meant for the use on television, but never really made it there. Yet...

Chip 01 was originally designed for a high tech transparent anniversary telephone card, to give this card its own identity with a slight technological reference. Chip 02 is an adapted…

Based on sketches of an alphabet from examples of South Western cattle brand marks. I always liked the idea of these brands for a font. A few years later a…

Bfrika is an 'Africa inspired' typeface and a contribution for the typographic issue 'National Typographica' of I-Juici Magazine, in South Africa. This geometrical decorative design represents bold simplicity, directness and…

Bebedot originated from doodles and scrabbles in notebooks; irregular forms very well might contain a style for an alphabet. Once used for an intro spread in Wired magazine (#6.04, April…

Originally created with cutting in red litho film, as a headlining typeface for Vinyl music magazine. Its geometric structure was very applicable for early type design experiments on the computer.…

A geometric design, published in Rick Poynor’s Typography Now 1 (Booth-Clibborn Editions, London UK,1991). Discussing these kinds of angular styles, the critic Rick Poynor noted that "fate has overtaken the…