Aldus
Designed by Hermann Zapf for D. Stempel AG, this typeface was originally intended to be the book or text weight for his
Designed by Hermann Zapf for D. Stempel AG, this typeface was originally intended to be the book or text weight for his
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold…
The design for Aurelia is based on the forms of Jenson, an Old Style typeface developed by Nicolas Jenson in 1470 which still influences type design today. Zapf gave Aurelia…
Designed by Hermann Zapf and released by the Stempel type foundry in 1954, Kompakt is a heavy, almost roughly shaped display face. One of the most famous and prolific type…
Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and…
Designer Hermann Zapf set out to create a typeface that was ideally suited to newspapers and other legibility applications. Melior is that typeface, released by the Stempel foundry in 1952.…
Drawn by master German calligrapher Hermann Zapf in the 1970s, Noris Script captures the magic of the irregularities of pen strokes. The idea behind Noris Script was to bring the…
Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging…
With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular around the world. In 2002,…
Hermann Zapf made his first sketches for Orion in 1963. Zapf’s aim was to create a neutral text face that could be ideally used as a newspaper face. Its stroke…