Ratio Modern
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing…
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing…
In 1910, Friedrich Wilhelm Kleukens designed the namesake for this typeface, which combines medieval letterforms with Art Nouveau sensibilites, for Bauersche Gießerei. Strikingly handsome and unique, its large x-height makes…