Gorod.Ostankino
The general idea: the symbols are "laid out" with sausage loafs. Release: in the form of two typefaces - "gorod.Cherkizovo" and "gorod.Ostankino" with the four styles in each. Cherkizovo: Normal…
Kade
Kade is a display/semi display sans family of fonts based on vernacular lettering photographed over the last ten years in and around the harbors of Amsterdam and Rotterdam. Hence the…
Artane Elongated BT
Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would…
Baker Signet
A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.
Bell Gothic
Designed specifically for AT&T to set telephone directories by Chauncey Griffith at Mergenthaler in 1938, Bell Gothic was the standard American directory typeface for forty years. Limited in performance by…
Covent BT
Designed by Jochen Hasinger of Frankfurt, Germany, Covent BT is an unconventional geometric sans serif typeface, featuring rounded terminal ends and a stencil-like break of the contour in some glyphs.…
Cruz Cantera BT
Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded…
Drescher Grotesk BT
Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for…
Folio
Designed by Konrad Bauer and Walter Baum in 1956, Folio was the first popular Swiss Sanserif; the positive black shapes of the letters appear to be locked inevitably into the…
Gothic No.13
A dark, condensed, nineteenth century sanserif made popular by Linotype, the capitals deriving from Barnhart Brothers and Spindler, the lowercase from Farmer.