Caslon #540
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch…
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch…
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other…
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other…
Granjon was designed in 1928 for Linotype by George Jones. It is named after the sixteenth-century French printer, publisher, and lettercutter Robert Granjon, who is noted in particular for his…
Guardi was designed by Reinhard Haus of Linotype in 1987. It was named after the Guardi brothers, Gianantonio and Francesco, the last famous artists from the Renaissance Venetian school of…
Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font…
Hermann Zapf made his first sketches for Orion in 1963. Zapf’s aim was to create a neutral text face that could be ideally used as a newspaper face. Its stroke…
Palatino is the work of Hermann Zapf, and is probably the most universally admired and used of his type designs. In 1950, it was punchcut in metal by August Rosenberger…
In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text…
Some of the most popular typefaces in history are those based on the types of the sixteenth-century printer, publisher, and type designer Claude Garamond, whose sixteenth-century types were modeled on…