Margarita Ville NF
A whimsical monoline slab-serif font with understated elegance, based on lettering from an old ad discovered by a friend in Spain. Both versions of this font contain the complete Unicode…
A whimsical monoline slab-serif font with understated elegance, based on lettering from an old ad discovered by a friend in Spain. Both versions of this font contain the complete Unicode…
Here's a nifty single-stroke marker font based on the work of Mike Stevens, long-time contributor to Signcraft magazine. Clean, crisp and stylish, it's the perfect choice for appealing subheads. This…
This unusual headline font is based on lettering found on a travel poster, advertising passage to Morocco on the Paris-Lyon-Méditerranée line, designer unknown, circa 1930. Both versions of this font…
Another tip of the hat to the halcyon days of woodtype, this cap-small cap typeface takes its name from the bustling Mexican metropolis just across the Rio Grande from Brownsville,…
This is a new and improved version of an old freeware font named Materhorn, hased on a design originally called Fanfare, designed by Louis Oppenheim in 1927 for H Berthold…
This jaunty display face was discovered in one of the many books on sign writing produced by Eric Matthews. The work was signed “King Cole", hence the font’s name. This…
The typeface Modernistic, designed by Wadsworth A. Parker for American Type Founders in 1927, provided the design cues for this typeface which, unlike the original, includes lowercase letters. Best used…
A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the…
A delightfully different typeface named Aphrodite, designed by Richard Nebiolo for Photolettering in the 1970s, provided the pattern for this svelte beauty. Graceful and elegant, it's the perfect choice for…
A font with a strong graphical appeal, based on the logotype lettering for the comic magazine of the same name, designed by Dutch illustrator Joost Swarte. Both versions of this…