La Moda NF
An unusual blend of block and script letterforms, based on poster lettering for an Italian fashion house of the same name, designed by Wilman Schiroli in 1935, and notable for…
An unusual blend of block and script letterforms, based on poster lettering for an Italian fashion house of the same name, designed by Wilman Schiroli in 1935, and notable for…
An unreleased typeface called "Aragón", designed by Enric Crous-Vidal, provided the inspiration for this decidedly retro face. It’s quite useful for distinctive and commanding headlines. Both versions of the font…
This font was inspired by Arts and Crafts lettering found on the cover of the Austrian journal Ver Sacrum (Sacred Spring), 1898. Primarily an uppercase-only font, there are several variants…
Gravure was designed by Morris F. Benton in 1927 for American Type Founders and was also released in 1929 by the London foundry of C. W. Shortt. This luminous face…
This sometimes-top-heavy, sometime-bottom-heavy, sometimes-centered typecase is based on an old Photolettering face designed by the irrepressible Dave West, originally called "Nickelodeon". That name was already taken, so I chose another…
This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is…
An elegant face with dashing swash caps, based on an old American Type Founders typeface called Canterbury. The Opentype version of this font supports Unicode 1250 (Central European) languages, as…
One in the series of fonts celebrating the Halcyon Days of Handlettering. Magic Lantern is a caps and small caps font based on an untitled design by Samuel Welo, whose…
This typeface was designed specifically for producing movie posters, as well as VHS and DVD packaging for them. The uppercase letters are ultracondensed, and the lowercase letters are small caps,…
The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly…