Cardamon
“My goal in creating the Cardamon family,” says Brigitte Schuster of her first design, “was to make an unobtrusive serif typeface which, at the same time, has a determined and…
Carolina
Gottfried Pott designed Carolina in 1990 for Linotype’s Type Before Gutenberg series, basing it on Carolingian minuscule handwriting from the reign of the Emperor Charlemagne. These lettershapes from about 800…
Cascade Script
An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.
Caslon #3
The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long…
Caslon #540
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch…
Caslon Antique
Caslon Antique was designed by Berne Nadall and brought out by the American type foundry Barnhart Bros & Spindler in 1896 to 1898. It doesn’t bear any resemblance to Caslon,…
Caslon Classico
The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long…
Caslon Open Face
Caslon Open Face was issued by the Barnhart Brothers & Spindler foundry in 1915. It was originally called College Oldstyle and was initially a reproduction of Le Moreau de Jeune,…
Castle
This family, which includes faces in light, book, bold, and ultra weights, more stroke contrast than is typical of sans serifs, making it very legible in text. Because of its…
Century Old Style
Morris Fuller Benton designed Century Oldstyle between 1908 and 1909. The design echoes the proportions of Century Expanded with its fairly large x-height, short ascenders and descenders, and large capitals,…