Auriol
This type, released by Peignot in 1901, was based on the handwriting of the art nouveau painter and designer, Georges Auriol. The Peignot drawing office insisted on a more normal…
This type, released by Peignot in 1901, was based on the handwriting of the art nouveau painter and designer, Georges Auriol. The Peignot drawing office insisted on a more normal…
In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early…
This Arabic extension to Adrian Frutiger’s Avenir typeface family was created by Nadine Chahine for Monotype. Avenir Arabic proudly incorporates a timeless geometric style with humanistic nuances that made Avenir…
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that…
Badr is a traditional-style Arabic text typeface with two weights: Badr Light and Badr Bold, and include Latin glyphs (Cochin Roman and Bold), allowing a single font to set text…
Linotype Balder is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. Designed by Lutz Baar, Balder is reminiscent of advertisement and poster typefaces…
The Swiss designer, Hans Eduard Meier, originally designed Barbedor for the Hell Digiset machine. Barbedor is based on handwritten humanist book scripts of the 15th century, and its chracters are…
Basic Commercial is a family of fonts based on historical designs from the hot metal type era. First appearing around 1900, these designs were created by type designers whose names…
Linotype Beluga is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. The font was designed by Hans-Jürgen Ellenberger to suggest the writing of…