Beachbuoy
Beachbuoy floats on the foamy surface of fun, rising & falling with the waves. Lower case characters take a siesta when it comes to the baseline, an oasis away from…
Beachbuoy floats on the foamy surface of fun, rising & falling with the waves. Lower case characters take a siesta when it comes to the baseline, an oasis away from…
A cross-stitch font based on a classical pattern, including capital and lower-case letters for all Western languages.
Nu?! Vhat else vould you font?! Introduction to the first kosher vant...er...font! Yes, our Board certified rabbis made all the proper blessings so you can use this font guilt free.…
Released in November 2003, Charminette is the Collection's first face with a consistent baseline and x-height. Intended as a display face to be used large, it's also surprisingly readable at…
A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century.
A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.
Ovallique shares roots with its looser cousin Beachbuoy. But don't mistake Ovallique's casual parentage for hand me down genes. Ovallique is the well-tailored relation, with limousine and driver at the…
A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry.…
Sans-serif reversed capitals in circles, resembling typewriter keys.
A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point…