Bandera Display Cyrillic
This contrast serif typeface is good for display use. Bandera Display Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines. It works well…
Bandera Cyrillic
This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It…
Varvid
The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots…
Proud Mary NF
This typeface takes its design cues from Joseph Churchward's chubby charmer Marianna, then adds a little weight and a whole lot of attitude. The result is a warm, friendly face…
Grandison
The Grandison Family is a geometric sans-serif grotesque. Originally conceived as a font for logos. It has 9 weight ranges from Light to Black. It is ideal for advertising and…
Tant Ulla
An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Accented letters for Western languages are included.
Retrofit
The evocative and original Retrofit is based on typefaces of the 1940s and 50s, which extolled the virtues of American products in glossy magazines for the new suburban consumer. Oversized…
Tant Lilian
A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century. Accented letters for Western languages are included.
Candykitchen
Casual and sugary, Candykitchen is an inline face with a weight problem. Frosted with occasional swashy finishing strokes and a few errant bulbous terminals, this face wants space in your…
Tant Ingrid
A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. Accented letters for Western and Central European languages are included.
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