Piranesi
An informal script designed for ATF as an italic for his Piranesi by W.T. Sniffin.
An informal script designed for ATF as an italic for his Piranesi by W.T. Sniffin.
Robert Harling’s 1938 revival of this nineteenth century form, designed for Stephenson Blake.
A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.
Limited to a single width for all characters and a rough image transferred through a ribbon to the paper, in 1953 Clayton Smith at IBM, Lexington, adapted the classical serifed…
Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give…
The monospace companion to Jim Lyles’ Prima Sans, designed by colleague Sue Zafarana at Bitstream.
Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give…
PuffiClaude by Matt Desmond is a real piece of work. Great for funky display stuff, its got some jive junk hanging around every character. This OpenType font has many goodies…
Following the death of Carl Dair, David Anderson redrew Dair’s design, Cartier, for Typsettra, where it was renamed Raleigh. Adrian Williams at Fonts added three weights as a display series…
Raven was inspired by type that Holly Goldsmith found on an antique greeting card. With its Gothic feel, it is the perfect typeface to gain a little bit of an…