Onyx
Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.
Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.
Bitstream’s Oranda was designed by the noted Dutch designer Gerard Unger as a custom project for the European printer manufacturer, Océ, in 1986.
A second VGC face, this one by S. Biggenden, borrowing from the structure of MICR figures to lend computer associations to the page.
Created by Italian graphic designer and illustrator Lorenzo Lalatta, Orchestra brings a whimsical yet elegant spin to Latin typography. Every letterform is cleverly adapted from the shape of a musical…
The Oz Handicraft™ family celebrates an unknown side of Oswald Cooper’s work. Best known for his seminal Cooper Black™ typeface, Cooper also designed several other typefaces. None, however, were sans…
One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of…
The first of the popular American informal scripts designed by R.E. Smith for ATF in 1933.
Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in…
The unusual name for this Deco style typeface comes from the playful and pun-laden 1960s Rocky & Bullwinkle TV show. It is the name of the newspaper in the mythical…