Fleischman BT Pro
Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he…
Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he…
An ornate roundhand with looped ascenders and strongly flourished capitals prepared at Photon for their phototypesetters about 1960.
Designed by Konrad Bauer and Walter Baum in 1956, Folio was the first popular Swiss Sanserif; the positive black shapes of the letters appear to be locked inevitably into the…
The standard German Fraktur textface of the last century, principally used today for mathematical setting.
Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael…
Produced by ATF in 1904, Morris Fuller Benton’s personal version of the heavy sanserifs first made popular by Vincent Figgins in 1830. Franklin Gothic remains popular after over a hundred…
Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. Bitstream’s Freeform 721 with his brush stroke look, is well-suited…
Isaac Moore’s recutting of Baskerville’s design for the Fry Typefoundry, long admired as a display design.
A collaboration based on lettering by Vermont illustrator/artist Mary Trafton and brought to typographic life by Charles Gibbons, the Full Moon Suite is a collection of casual typefaces called after…
Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time…