Copperplate Gothic
The classical nineteenth century engravers’ form, with corners sharpened with a flick of the burin. F.W. Goudy captured the design as a typographic series for ATF in 1901.
The classical nineteenth century engravers’ form, with corners sharpened with a flick of the burin. F.W. Goudy captured the design as a typographic series for ATF in 1901.
Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.
Designed by Jochen Hasinger of Frankfurt, Germany, Covent BT is an unconventional geometric sans serif typeface, featuring rounded terminal ends and a stencil-like break of the contour in some glyphs.…
Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded…
A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.
This revival of the Bruce Foundry’s No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the face remains popular with lawyers and…
Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.
The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.
Drawn by Italian graphic designer Nicola Serradimigni, Drawboard is a fun, freeform display typeface. Serradimigni based each character on a rectangle and kept the use of curved shapes and diagonals…
Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for…