Schadow
Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.
Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.
Working for Bauer in the thirties, F.H.E. Schneidler followed Weiss’ lead to provide an alternative. In 1956 he added the companion italic under the name Amalthea.
Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger…
Sets of Art Deco capitals shot full of holes for display effect by by J. Looney at VGC.
SissyBoy, a bold version of Kate Peter’s typeface BabyDoll, was inspired by those shy, sensitive, artistic yet misunderstood young men that were relentlessly teased in their school days. We found…
Ronna Penner's Sketchley is a 2001 winner of ATypI's bukva:raz! design competition, held recently in Moscow. Inspired by handwriting samples and unable to find a typeface to satisfy her needs,…
A calligrapher, graphic designer and teacher, Duško Trifunović of Belgrade created this handsome calligraphic typeface called Sloboda. It has an open design, an outline of sorts, and though the lowercase…
Snow Cap from Bitstream is a wintry display face with snow effects dropped onto Jennifer Maestre’s Mister Earl. Released in 1995, the snow was artfully placed onto each character by…
Stephen Chick, of In Your Typeface Productions (IYTP) foundry, has created this rather prickly type design. Although for display, it is surprisingly legible at smaller point sizes. There is an…
Two typefaces called Stencil were released in 1937 within a month of each other; this one was designed by Gerry Powell for American Type Founders. The characters are designed to…