Ondine
Ondine is one of the early typefaces of Adrian Frutiger. It looks as though it were written with a broad tipped pen, however, Frutiger actually cut the forms out of…
Opal
Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the…
Optima
Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging…
Optima nova
With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular around the world. In 2002,…
Orion
Hermann Zapf made his first sketches for Orion in 1963. Zapf’s aim was to create a neutral text face that could be ideally used as a newspaper face. Its stroke…
Palatino
Palatino is the work of Hermann Zapf, and is probably the most universally admired and used of his type designs. In 1950, it was punchcut in metal by August Rosenberger…
Palatino eText
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically…
Palatino Sans
Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of…
Palatino Sans Informal
Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment…
Peignot
A.M. Cassandre’s original and trend setting stressed sanserif which mixes capital and lowercase forms. Designed in 1937 with Charles Peignot for Deberny & Peignot, this face has almost become a…