Metro Nova
Metro Nova comprises seven weights, from ultra thin to extra black in regular proportions, and six weights as condensed designs. Each has an italic counterpart for a total of 26…
Metro Office
The Metro Office family is designed after the model of the original sans serif family – Metro No.1 – produced by W.A. Dwiggins and Mergenthaler Linotype’s design studio during the…
Metrolite #2
In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had…
Metropolitaines
This art nouveau style typeface is the one that had been used for the signage of the historic Paris metro stations.
Midan
Midan, designed in 2005 by Kameel Hawa, director of Almohtaraf Assaudi, is a modern Arabic typeface based on simplified Naskh with a slightly modulated stroke treatment. It is suited for…
Mistral
Named for the strong, cold winds of southern France, Mistral was designed by Roger Excoffon for the Olive foundry in 1953. This unique brush script is based on the designer’s…
Mitra
Mitra is a modern Arabic text typeface with two weights: Mitra Light and Mitra Bold. Both of the fonts include Latin glyphs (from Optima Medium and Optima Bold, respectively) inside…
Mofid Mahdi
Mofid Mahdi is a distinctive, bold Arabic display face, suitable for heading and titling work in Arabic newspaper and magazine composition. In this typeface the rounded internal counters and dots…
Monticello
Linotype Monticello was designed by C.H. Griffith in 1946. Its design is based on James Ronaldsons Roman No.1 and Oxford Typefaces from American Type Founders and was revised by Matthew…
Montix
Montix is a narrow, constructed type family that developed by the German designer Diana Fischer in 2003. With five weights (light, light italic, regular, regular italic, and bold), Montix is…