Camila

Camila is a delicate and smooth Didone typeface designed by Paula Nazal. The family is inspired by concepts such as elegance, simplicity, femininity, and primarily based on Coco Chanel. A…

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Aachen font Catrina font

Catrina

Catrina, designed by Eli Hernández, is an expressive typeface whose curves and straight lines meet each other in harmonious synchrony. Catrina comes in 6 weights, ranging from Thin to Black,…

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Academy Engraved font

Academy Engraved

Letraset’s talented type designer Vince Whitlock was inspired by the elegant Caslon series when he created Academy Engraved. The exquisite letterforms of this traditional Roman typestyle make it ideal wherever…

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Annlie font

Annlie

  • Post author:ITCstaff
  • Post category:Uncategorized

Annlie™ Extra Bold and Annlie Extra Bold Italic are two display faces designed by Fred Lambert in 1966 for the Annlie type family. These two samples from the Annlie family…

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Clasica font

Clasica

The font family "Clasica" is ideal to cover every design need. Excellent for titles, paragraphs, magazines, books, editorials and logos. The particularity and identity of this font is found in…

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Aquinas font

Aquinas

  • Post author:ITCstaff
  • Post category:decorative

Aquinas is distinguished by the contrast between its upright, generous capitals and its narrow, slanted lower case letters which look almost like italics. The combination of these so different alphabets…

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Clasica Sans font

Clasica Sans

Clasica Sans is a fresh and contemporary typeface, consisting of 7 standard fonts plus italics. It is perfect for publishing and print design. Clasica Sans comes in various weights, working…

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Aquitaine Initials font

Aquitaine Initials

  • Post author:ITCstaff
  • Post category:engraving

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are…

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Comalle font

Comalle

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful…

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