FF Meta Correspondence
German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo,…
German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo,…
FF Meta® Georgian is based on the same humanistic shapes and proportions as the original 1991 FF Meta design. The narrow proportions, slight variation in stroke thickness and sheared terminals…
German type designer Erik Spiekermann and American type designers Christian Schwartz and Josh Darden created this display and sans FontFont in 2005. The family has 12 weights, ranging from Light…
Armature Neue is an extension and clarification of the original Armature family released in 1997. We made the distribution of weights more even, and added italics extra light and black…
Armature Neue Sans is an extension of the original Armature Neue family released in 2010. Like Armature Neue, Armature Neue Sans consists of six weights with accompanying italics. Armature is…
New Clear Era is part of a large ongoing project investigating classicism and legibility. The regular version is the base font. Numerous permutations will be performed on this underlying skeleton.…
The original idea for Alda came from exploring an alternative approach to generating different typeface weights by adapting the characteristics of physical objects. I was interested to find out how…
Years ago, by happenstance, designers Nancy Mazzei and Brian Kelly found an old decrepit typewriter in an abandoned lot with tall grass in Brooklyn. They kept it around their apartment…
The Cardea family of typefaces is the outcome of David Cabianca’s 2003–04 MA Typeface Design experience at the University of Reading. With Cardea, Cabianca intended to mix classical and modern…